Edward Hutton: St. Peter's Monuments

 

Despite his lack of enthusiasm for St. Peter's as a church, Hutton believed that it contained some beautiful monuments, especially the one to the last of the Stuarts.

The work of Michelangelo, so disastrous to his disciples, might seem to have been understood, with a certain fineness and success for once, by Gugliemo della Porta, who built and carved the tomb of Paul III, which Cardinal Alessandro Farnese ordered in 1550. The bronze statue of the Pope, splendid in the energy of its pose, vested in the cope and pallium, the right hand raised in benediction, is seated above the tomb. Beneath, two figures, Prudence and Justice, half sit, half lie in the manner of the figures in the Medici tombs in Florence. Prudence, as one might suppose, is represented  as a veiled matron. Imposing and modest, she holds a book or a mirror in her hands, gazing only at herself, as it were, on her own soul. The Justice, however, is radiant and lovely, altogether desirable, her beautiful head full of provocation, her splendid and supple body, half naked once, stretched luxuriously, yes, beside the dead. It was Cardinal Edoardo Farnese who, with all the beastly modesty of the Catholic reaction…obliged the son of Guglielmo della Porta to clothe the Justice in the impossible chemise of lead that we see today. This at least should have involved the Papacy suddenly so shamefaced in the universal laughter of the world, the immense ridicule which is the fate of all hypocrisies. … (191)

 

Something of the old humanity stirred now and then certainly…in the work of Canova for instance, to be found here not only in the beautiful architectural work of the tomb of Clement XIII, but especially in that exquisite monument which commemorates the last of that unfortunate race which once ruled in merry England and with whose passing, with the advent of the Dutchman, the continuance of the German, she is merry no more. Yes, the most touching and human monument after all in the great church commemorates a tragedy of our race, the passing of the Stuarts, reminding of the rightful kings of Great Britain, France, and Ireland, James III, Charles III, and Henry IX, Cardinal York. Their ashes lie in the crypt, and this monument, where two English boys weep beside a tomb, was erected by that royal blackguard George IV, who having all his life played the part of Pimp and Pander to our English kings, tried to deceive the world with a sentimentality and an hypocrisy truly German by erecting this monument to one of those he and his wretched alien race had so unfortunately supplanted. And though for nothing else, S. Peter’s church should have the love and respect of Englishmen, since it gave a refuge to those kings of our race to whom we denied even the solace of a last resting place in English earth. (192)

 

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Edward Hutton, Rome, 1922.